Q1: In Act 4, scene 3, Emilia has a fascinating exchange
with Desdemona where they’re discussing if they would cheat on their husbands.
How do Emilia and Desdemona differ in their willingness to make their husbands “cuckolds”?
What does Emilia mean when she says, “The world’s a huge thing:/It is a great
price for a small vice”?
Q3: In one of the most dramatic (though to some, comic) moments in the play, Emilia repeats the words "My husband?" four times when she learns of Iago's involvement in her mistress's death. How did you read this? How should an actress portray this? Is this total surprise/revelation? Is it disguise (if she suspected all along, and is covering her tracks)? Or is it some mixture of knowing and not knowing?
Q4: Most tragedies end in catharsis, which the Oxford English Dictionary defines as "The purification of the emotions by vicarious experience, esp. through the drama (in reference to Aristotle's Poetics)." Does Shakespeare allow the audience a sense of release and catharsis by the play's end? How might Iago's refusal to repent or even to explain his actions frustrate this? Or is that also part of Shakespeare's dramatic plan?
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