Thursday, November 6, 2025

For Tuesday: Antony and Cleopatra, Acts 1-2



As always, answer TWO of the following: 

Q1: In many ways, this is a play about acting, and no one acts more extravagantly as Cleopatra. As Enobarbarus (her servant) says about her, "I have seen her die twenty times upon poor moment" (1.2). Why does she spend so much of her time with Antony in 'costume' rather than being more 'real'? Is there a reason a woman like Cleopatra might view life as a performance? 

Q2: How do the Romans in the play, such as Caesar, regard Antony's behavior? Though he's a great warrior and clearly a great lover (to win Cleopatra's affections), what makes him seem 'unmanly' to them? Do people in Egypt share the same opinion? Does he? 

Q3: From Acts 1-2, does this seem like a love story? Are they madly, passionately in love, or is it more a power play? Is he using her for political advantage? Is she? How does their language in Act 1 betray their emotions? 

Q4: How does Shakespeare create the 'setting' of Egypt through his language? In other words, what makes Egypt 'sound' differently than Rome or Romans? How does he create this illusion (Act 1.2 is a good example). 

Q5: How would you stage Act 2, Scene 5, particularly the scenes with Cleopatra and the Messenger? Is this a scene of high comedy, where Cleopatra loses it and acts like a spoiled child? Or is this a deeply tragic scene, where she realizes that the one hold she had over Antony’s affections is lost? Use a line or two to support how you think we’re supposed to read (and stage) this scene. 

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For Tuesday: Antony and Cleopatra, Acts 1-2

As always, answer TWO of the following:  Q1: In many ways, this is a play about acting, and no one acts more extravagantly as Cleopatra. As ...