Last set of questions for Othello, so enjoy the rousing
(and tragic) conclusion! Answer TWO or ONE, depending on your inclinations:
Q1: In Act 4, scene 3, Emilia has a fascinating exchange with Desdemona where they’re discussing if they would cheat on their husbands. How do Emilia and Desdemona differ in their willingness to make their husbands “cuckolds”? What does Emilia mean when she says, “The world’s a huge thing:/It is a great price for a small vice”?
Q2: Is Othello completely steeled to kill Desdemona in Act 5, scene 2, or does he still have doubts and misgivings? Carefully read his "It is the cause it is the cause, my soul" speech as he enters the stage. What is he telling us here, especially since it's a monologue, and addressed to himself--and by extension, to the audience?
Q3: In one of the most dramatic (though to some, comic) moments in the play, Emilia repeats the words "My husband?" four times when she learns of Iago's involvement in her mistress's death. How did you read this? How should an actress portray this? Is this total surprise/revelation? Is it disguise (if she suspected all along, and is covering her tracks)? Or is it some mixture of knowing and not knowing?
Q4: Most tragedies end in catharsis, which the Oxford English Dictionary defines as "The purification of the emotions by vicarious experience, esp. through the drama (in reference to Aristotle's Poetics)." Does Shakespeare allow the audience a sense of release and catharsis by the play's end? How might Iago's refusal to repent or even to explain his actions frustrate this? Or is that also part of Shakespeare's dramatic plan?
No comments:
Post a Comment